PERFORMANCES (selected 1972 - 2005) : | |||||||||||||||||||||||||||||||||||||||||||
The Art of Unfolding - May 21 & 22, 2005 China Premiere |
Tian Qiao Theatre Beijing, China Athelas Sinfonietta Copenhagen and China Drama and Dance Orchestra Beijing Conductor: Sebastian Gottschick (Cologne)
Harrie Starreveld (Amsterdam), Flute
Choreography:
Wang Yuan Yuan (Beijing) |
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LUNARIA |
for Chamber Orchestra and Film (1998) Film: "Plum Blossoms in Moonlight" (ca.1440) by Chen Lu (China, 1st half of 15th century) from the collection of the Museum of East Asian Art, Berlin, Germany |
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DEOVOLENTE |
for solo quarter tone Flute and Dancer (1992/2005) Mr. STARREVELD, Ms. WANG MEI |
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NEARNESS |
A Triple Concerto for Flute, Oboe, Bass Clarinet and Chamber Orchestra (1989/2005) |
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SOLILOQUY |
for solo Bass Clarinet and Two Dancers (2000/05) Mr. SPARNAAY, Ms. WANG YUAN YUAN, Mr. FEI |
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APRITURA |
for Chamber Orchestra and Film (2001) Film: Paintings of "Zhi Garden" an album of 20 paintings (1627) by Zhang Hong (China,1577 - after 1652) from the collections of the Museum of East Asian Art, Berlin and Los Angeles County Museum of Art |
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TO BE CONTINUED World Premiere |
for Chamber Ensemble, Film and Text (2005) Commissioned by the: Danish National Arts Foundation and Knud Hoejgaards Foundation Film: "Zhou Emperor Mu's visit to Xiwangmu - Xiwangmu's visit to the Han Emperor Wu Di" Chinese Palace Sceneries (ca.1744) by Ding Guanpeng, Sun Hu, Wang Fanyue and Yao Wenhan from the collection of the National Museum of Denmark |
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NEBULAE |
for solo Musette (1995) Mr. ROMBOUT |
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XIANG ASPECTS |
for Chamber Orchestra, Film and Dancers (1995/2005) Film: "Spring Rain on the River Xiang" (China, 1455) by Xia Chang (1388-1470) from the collection of the: Museum of East Asian Art, Berlin, Germany, Ms. WANG YUAN YUAN, Ms. WANG MEI, Mr. FEI |
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SOLILOQUY - January 20, 2003 |
for Solo Bass Clarinet Harry Sparnaay, soloist Greyfriars Kirk Edinburgh, Scotland | ||||||||||||||||||||||||||||||||||||||||||
SOLILOQUY - April 2002 |
for Solo Bass Clarinet Harry Sparnaay, soloist | ||||||||||||||||||||||||||||||||||||||||||
- 10th: - 12th: - 14th: - 16th: - 20th: |
- Kansas City, Missouri University of Maryland The Flea, New York City The Renaissance Society, Chicago Wesleyan University |
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THE
ART OF UNFOLDING - March 23, 2002 |
Muffathalle, Munich, Germany Munich Chamber Orchestra Christoph Poppen - Conductor Soloists Harrie Starreveld - Flutes Ernest Rombout - Oboes Harry Sparnaay - Bass clarinet Choreographer & Dancer: Hsu Tzu - Ying (Tiawan) | ||||||||||||||||||||||||||||||||||||||||||
DEOVOLENTE | for solo quarter tone Flute and Dancer (1992/02)* Mr. STARREVELD, Ms. HSU |
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NEARNESS | A Triple Concerto for Flute, Oboe, Bass Clarinet and Chamber Orchestra (1989) |
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SOLILOQUY | for solo Bass Clarinet and Dancer (1998/02)* Mr. SPARNAAY, Ms. HSU |
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APRITURA | for Chamber Orchestra and Film (2001) Film: Paintings of "Zhi Garden" an album of 20 paintings (1627) by Zhang Hong (China, 1577 - after 1652), Ms. HSU World Premiere |
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NEBULAE | for solo Musette (1995) Mr. ROMBOUT |
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XIANG ASPECTS | for Chamber Orchestra, Film and Dancers (1995/2002)* Film: "Spring Rain on the River Xiang" (1455) by Xia Chang (China, 1388-1470) Ms. HSU *German Premiere |
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SOLILOQUY - May 25, 2001 |
for Solo Bass Clarinet Harry Sparnaay, soloist sala Carlos Chavez Mexico City, Mexico |
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SOLILOQUY - November 25, 2000 |
for Solo Bass Clarinet Harry Sparnaay, Soloist Stedelijk Museum Amsterdam, Netherlands | ||||||||||||||||||||||||||||||||||||||||||
THE
ART OF UNFOLDING - July 31, 1998 |
California State University, Los Angeles Oriol Ensemble Berlin Sebastian Gottschalk - Conductor Soloists: Harrie Starreveld - Flute Ernest Rombout - Oboe Harry Sparnaay - Bass Clarinet Choreographer & Dancer: Hsu Tzu - Ying | ||||||||||||||||||||||||||||||||||||||||||
LUNARIA | for Chamber Orchestra and Film (1998)*
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DEOVOLENTE | for solo quarter tone Flute and Dancer (1992/98)* Mr. STARREVELD, Ms. HSU |
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SOLILOQUY | for solo Bass Clarinet and Two Dancers (1998) Mr. SPARNAAY, Ms. HSU |
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NEBULAE | for solo Musette (1995) Mr. ROMBOUT |
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XIANG ASPECTS | for Chamber Orchestra, Film and Dancer (1995/98) Film: "Spring Rain on the River Xiang" (China, 1455) by Xia Chang (1388-1470) Ms. HSU * World Premiere |
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DEOVOLENTE - September 20, 1996 |
for Solo Flute Harrie Starreveld, Soloist Abbaye de Foundation Royaumont Royaumont, France | ||||||||||||||||||||||||||||||||||||||||||
June 29, 1996: | Muffathalle -
Munich, Germany Concert devoted to works by Maurice Weddington, sponsored by the Goethe-Institut of Munich Munich Chamber Orchestra Christoph Poppen - conductor
Soloists | ||||||||||||||||||||||||||||||||||||||||||
NEARNESS - | a triple concerto for flute, oboe, bass clarinet and chamber orchestra | ||||||||||||||||||||||||||||||||||||||||||
SEUL - | for solo bass clarinettist | ||||||||||||||||||||||||||||||||||||||||||
DEOVOLENTE - | for solo flute | ||||||||||||||||||||||||||||||||||||||||||
NEBULAE - | for solo musette (European premiere) | ||||||||||||||||||||||||||||||||||||||||||
XIANG ASPECTS -
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for chamber orchestra and film directed by the composer
Film: "Spring Rain on the River Xiang" (1455)
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October 8, 1995 | Art Institute
of Chicago Concert devoted to works by Maurice Weddington, sponsored by the Art Institute of Chicago and the Goethe-Institut of Chicago Chicago Chamber Orchestra Dieter Kober - conductor
Soloists | ||||||||||||||||||||||||||||||||||||||||||
XIANG ASPECTS - | for chamber orchestra and film (world premiere with film) | ||||||||||||||||||||||||||||||||||||||||||
SEUL - | for solo bass clarinettist | ||||||||||||||||||||||||||||||||||||||||||
NEBULAE - | for solo musette (world premiere) | ||||||||||||||||||||||||||||||||||||||||||
DEOVOLENTE - | for solo flute (U.S. premiere) | ||||||||||||||||||||||||||||||||||||||||||
NEARNESS- | a triple concerto for flute, oboe, bass clarinet and chamber orchestra (U.S. premiere) | ||||||||||||||||||||||||||||||||||||||||||
SEUL - January 22, 1995 |
for bass clarinettist Harry Sparnaay, soloist | ||||||||||||||||||||||||||||||||||||||||||
DEOVOLENTE
- January 22, 1995 |
for solo flute Laura Chislett, soloist Berlinische Galerie Berlin, Germany | ||||||||||||||||||||||||||||||||||||||||||
DEOVOLENTE
- December 15, 1994 |
for solo flute Laura Chislett, soloist Cork School of Music Cork, Ireland | ||||||||||||||||||||||||||||||||||||||||||
XIANG ASPECTS
- September 11, 1994 |
for chamber orchestra (without film) commissioned and world premiered by the Sydney Alpha Ensemble Sydney, Australia | ||||||||||||||||||||||||||||||||||||||||||
DEOVOLENTE
- June 16, 1993 |
for solo flute Laura Chislett, soloist Council for the Performing Arts Hong Kong, China | ||||||||||||||||||||||||||||||||||||||||||
CONCERTO FOR
SYMPHONY ORCHESTRA (World Premiere) - January 10, 1992 |
(finale movement of: The FIRE IN THE LAKE Trilogy) Radio Symphonie Orchester Berlin Michael Morgan, conductor | ||||||||||||||||||||||||||||||||||||||||||
March 7, 1986 | In celebration of the first Dr. Martin Luther King, Jr. birthday, as an American National
Holiday, Stanford University gave a performance of Maurice Weddington`s MIDNIGHT
for orchestra and narrator, with text by Dr. King. The composer narrated. Palo Alto, California. | ||||||||||||||||||||||||||||||||||||||||||
ENSEMBLING
- March 8, 1984 |
for 6 bass clarinets and 4 contrabass clarinets (world premiere) IRCAM Paris, France | ||||||||||||||||||||||||||||||||||||||||||
MIDNIGHT
- November 29, 1984 |
for orchestra and narrator with text by Dr. Martin Luther King, Jr. American Composers Orchestra Howard Rollins, Jr., narrator Dennis Russell Davis, conductor Lincoln Center New York City | ||||||||||||||||||||||||||||||||||||||||||
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PATHOGENESIS - April 30, 1982 |
for alto flute, English horn, bass clarinet, viola, violoncello and
narrator, Six individual parts: without score or conductor The British Council Berlin, Germany | ||||||||||||||||||||||||||||||||||||||||||
CONCERTO FOR
BASS CLARINET AND ORCHESTRA - April 25, 1982 |
Harry Sparnaay, soloist Radio Symphonie Orchester Berlin Jacques Mercier, conductor Sender Freies Berlin Berlin, Germany | ||||||||||||||||||||||||||||||||||||||||||
SAXOPHONE
QUARTET - October 17, 1981 |
Het Rijnmond Saxofoon Kwartet Stedelijk Museum Amsterdam, Netherlands | ||||||||||||||||||||||||||||||||||||||||||
MEHR LICHT
- May 21, 1981 |
for solo bass flute Eberhard Blum, soloist American Center Paris, France | ||||||||||||||||||||||||||||||||||||||||||
CONCERTO FOR
BASS CLARINET AND ORCHESTRA - March 7, 1981 |
Harry Sparnaay, soloist Symphony Orchester of Radio Baden-Baden Jacques Mercier, conductor Baden-Baden, Germany | ||||||||||||||||||||||||||||||||||||||||||
CONCERTO FOR
BASS CLARINET AND ORCHESTRA - November 20, 1980 |
Kjell-Inge Stevensson, soloist Swedish Radio Symphony Orchestra Leif Segerstram, conductor Stockholm, Sweden | ||||||||||||||||||||||||||||||||||||||||||
MEHR LICHT
- November 20, 1980 |
for solo bass flute Eberhard Blum, soloist Arnold Schoenberg Institute Los Angeles, California | ||||||||||||||||||||||||||||||||||||||||||
MEHR LICHT &
LEGATISSIMO TO BE... |
for solo bass flute Eberhard Blum, soloist for solo violin Janos Negyesy, soloist
first simultaneous
performance | ||||||||||||||||||||||||||||||||||||||||||
CONCERTO FOR BASS CLARINET AND ORCHESTRA (World Premiere) - June 29, 1979 |
(1st movement of: The FIRE IN THE LAKE Trilogy) Harry Sparnaay, soloist Philharmonic Orchestra of the Belgian Television Lucas Vis, conductor Brussels, Belgium | ||||||||||||||||||||||||||||||||||||||||||
MEHR LICHT
- 1979 |
for solo bass flute analytical article (in German) TIBIA: magazine for Friends of Old and New Woodwind Music | ||||||||||||||||||||||||||||||||||||||||||
MEHR LICHT - December 9, 1978 |
for solo bass flute Eberhard Blum, soloist State University of New York at Buffalo | ||||||||||||||||||||||||||||||||||||||||||
NINA LARKER
- December 3, 1978 |
for four percussionists (U.S. premiere) U/B Percussion Ensemble State University of New York at Buffalo | ||||||||||||||||||||||||||||||||||||||||||
SEUL - 1978 |
Warsaw Autumn International Festival of Contemporary Music for solo bass clarinet Harry Sparnaay, soloist | ||||||||||||||||||||||||||||||||||||||||||
LEGATISSIMO TO
BE... - November 5, 1977 |
for solo violin Janos Negyesy, soloist Demonstration Concert Music Academy Basel, Switzerland | ||||||||||||||||||||||||||||||||||||||||||
MEHR LICHT
- April 17, 1977 |
for solo bass flute (European premiere) Eberhard Blum, soloist Performance at the Annual Conference of Music Teachers: Darmstadt Institute for New Music and Music Education Darmstadt, Germany | ||||||||||||||||||||||||||||||||||||||||||
SEUL - March 23, 1977 |
for solo bass clarinet Harry Sparnaay, soloist The Kitchen New York City | ||||||||||||||||||||||||||||||||||||||||||
SEUL - March 6, 1977 |
for solo bass clarinet Harry Sparnaay, soloist State's Museum of Art Copenhagen, Denmark | ||||||||||||||||||||||||||||||||||||||||||
PATHOGENESIS
- June 24, 1976 |
for alto flute, English horn, bass clarinet, viola, violoncello and
narrator, six individual parts without score or conductor Northwest German Music Academy Detmold, Germany (Published by: Edition Modern Munich, Germany) | ||||||||||||||||||||||||||||||||||||||||||
SEUL
ENSEMBLE - December 2, 1975 |
for Large Symphony Orchestra Radio Symphonie Orchester Berlin Lucas Vis, conductor Sender Freies Berlin - Berlin, Germany (Published by: Edition Modern Munich, Germany) | ||||||||||||||||||||||||||||||||||||||||||
February 6, 1974 | International Exhibition for Contemporary Music - Tokyo, Japan | ||||||||||||||||||||||||||||||||||||||||||
NINA LARKER - TINA NÖRLÖV - |
for four percussionists for four piccolo flutes for contra bassoon, bass saxophone, bass trombone, bass tuba.The option of playing all three compositions simultaneously was chosen. | ||||||||||||||||||||||||||||||||||||||||||
1972 / 1977 | International Society for Contemporary Music (ISCM) World Festivals in Austria and West Germany, respectively | ||||||||||||||||||||||||||||||||||||||||||
1977 | West Germany: SEUL for solo bass clarinetist | ||||||||||||||||||||||||||||||||||||||||||
1972 | Austria: NINA LARKER, TINA NÖRLÖV, SUSANNE RUDKJÖBING The option of playing all three compositions simultaneously was chosen |